Detalles MARC
| 000 -CABECERA |
|---|
| campo de control de longitud fija |
05314nam a22005057a 4500 |
| 001 - NÚMERO DE CONTROL |
|---|
| campo de control |
014179 |
| 008 - DATOS DE LONGITUD FIJA--INFORMACIÓN GENERAL |
|---|
| campo de control de longitud fija |
160926s2018||||pe a|||| |||| 00| 0 spa d |
| 020 ## - NÚMERO INTERNACIONAL ESTÁNDAR DEL LIBRO |
|---|
| Número Internacional Estándar del Libro |
9781786271556 |
| 100 1# - ENTRADA PRINCIPAL--NOMBRE DE PERSONA |
|---|
| Nombre de persona |
Sullivan, Edward |
| 9 (RLIN) |
12400 |
| 245 ## - MENCIÓN DE TÍTULO |
|---|
| Título |
Making the Americas modern: |
| Resto del título |
hemispheric art, 1910-1960 |
| 260 ## - PUBLICACIÓN, DISTRIBUCIÓN, ETC. |
|---|
| Lugar de publicación, distribución, etc. |
London: |
| Nombre del editor, distribuidor, etc. |
Laurence King Publishing, |
| Fecha de publicación, distribución, etc. |
2018 |
| 300 ## - DESCRIPCIÓN FÍSICA |
|---|
| Extensión |
336 p. |
| Otras características físicas |
il. col. |
| 500 #0 - NOTA GENERAL |
|---|
| Nota general |
Prologue: Fragmentary histories of hemispheric art, 1910-1960 : Exhibiting modern art, 1910-1960 -- Time frames -- Divisions of the story -- End of the story. 1 The expanding mind: symbolist imagery in the Americas : American decadence and redemption, c.1910-1930 -- North American visionaries -- Cannibals in the southern cone: Alejandro Xul Solar and Tarsila do Amaral. 2 A sense of place: landscapes, cityscapes, and Topographies of the self : The year 1916 -- Landscapes of the mind -- Southwest reveries -- Canadian wilderness -- Mexican volcanoes -- Cityscapes -- South of the U.S. border. 3 Visualizing blackness in the Americas : Blackness in the modernist imagination -- Blackness, dance, music, and ritual -- black faces, black bodies -- Labor and struggle -- Black abstractions. 4 Cross-border dialogues : Revolutionary art: between exaltation and despair -- Public arts on both sides of the border -- Muralism, teaching, and learning. 5 Labor, anxiety, and a new social order : Anxiety -- Lynchings -- Clouds of war -- Eye witness -- Labor and exile -- Exile and migration. 6 The liberated line: toward abstracted form : Alternative histories -- Abstracted nature -- Surrealism into abstraction -- Site-specific abstraction. 7 The cube, sphere, and cone; constructed abstractions in the Americas : American responses to geometric form, c.1910-1920 -- Joaquin Torres-Garci´a, the Torres-Garci´a workshop, and arithmetical proportion -- Geometric Manhattan -- Río de la Plata: beyond Torres - experimentation in the 1940s -- Brazil builds -- Havana - Paris - New York - Montreal. 8 Modern visionaries and the intuitive imagination : Trans-American surrealism -- The 1940s and 50s in Latin America: surrealist affinities -- From Mexico to Manhattan and beyond -- Dance, visual art, and visionary modernity -- Popular arts, the intuitive eye, and modernity. Epilogue: Into the future : Pop art and revolution -- Art for all -- Environments and total participation -- Art and terror. Endnotes -- Further reading -- Index -- Picture credits. |
| 650 ## - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
MODERNISMO |
| 9 (RLIN) |
9428 |
| 650 ## - PUNTO DE ACCESO ADICIONAL DE MATERIA--TÉRMINO DE MATERIA |
|---|
| Término de materia o nombre geográfico como elemento de entrada |
HISTORIA DEL ARTE |
| 9 (RLIN) |
7649 |
| 942 00 - ELEMENTOS DE PUNTO DE ACCESO ADICIONAL (KOHA) |
|---|
| Tipo de ítem Koha |
Libro |
| 901 ## - ELEMENTOS DE DATOS A LOCAL LDA (RLIN) |
|---|
| a |
709.04 |
| b |
709.04 |
| c |
S47M |
| 902 ## - ELEMENTOS DE DATOS B LOCAL, LDB (RLIN) |
|---|
| a |
M |
| 903 ## - ELEMENTOS DE DATOS C LOCAL, LDC (RLIN) |
|---|
| a |
M |
| 904 ## - ELEMENTOS DE DATOS D LOCAL, LDD (RLIN) |
|---|
| a |
D |
| 905 ## - ELEMENTOS DE DATOS E LOCAL, LDE (RLIN) |
|---|
| a |
Sullivan, Edward |
| 906 ## - ELEMENTOS DE DATOS F LOCAL, LDF (RLIN) |
|---|
| a |
180424 |
| 907 ## - ELEMENTOS DE DATOS G LOCAL, LDG (RLIN) |
|---|
| a |
015970 |
| 907 ## - ELEMENTOS DE DATOS G LOCAL, LDG (RLIN) |
|---|
| a |
015971 |
| 913 ## - |
|---|
| -- |
Sullivan, Edward |
| 915 ## - |
|---|
| -- |
Making the Americas modern: hemispheric art, 1910-1960 |
| 917 ## - |
|---|
| -- |
336 p. |
| 928 ## - |
|---|
| -- |
Laurence King Publishing |
| 929 ## - |
|---|
| -- |
London |
| 930 ## - EQUIVALENCIA O REFERENCIA CRUZADA-ENCABEZAMIENTO DE TÍTULO UNIFORME [LOCAL, CANADÁ] |
|---|
| Título uniforme |
UK |
| 932 ## - |
|---|
| -- |
il. col. |
| 933 ## - |
|---|
| -- |
2018 |
| 934 ## - |
|---|
| -- |
20180000 |
| 936 ## - OCLC/CONSER DATOS MISCELÁNEOS (OCLC); PIEZA UTILIZADA PARA CATALOGACIÓN (pre-RCAA2) (RLIN) |
|---|
| Numero(s) de control OCLC de registros paralelo(s) (OCLC); Pieza utilizada para catalogación, PUC (RLIN) |
978-1-78627-155-6 |
| 947 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC) |
|---|
| a |
ES |
| 948 ## - PROCESAMIENTO DE INFORMACIÓN LOCAL (OCLC); DESIGNADOR DE PARTE DE LA SERIE (RLIN) |
|---|
| Designador de la parte de la serie, SPT (RLIN) |
Prologue: Fragmentary histories of hemispheric art, 1910-1960 : Exhibiting modern art, 1910-1960 -- Time frames -- Divisions of the story -- End of the story. 1 The expanding mind: symbolist imagery in the Americas : American decadence and redemption, c.1910-1930 -- North American visionaries -- Cannibals in the southern cone: Alejandro Xul Solar and Tarsila do Amaral. 2 A sense of place: landscapes, cityscapes, and Topographies of the self : The year 1916 -- Landscapes of the mind -- Southwest reveries -- Canadian wilderness -- Mexican volcanoes -- Cityscapes -- South of the U.S. border. 3 Visualizing blackness in the Americas : Blackness in the modernist imagination -- Blackness, dance, music, and ritual -- black faces, black bodies -- Labor and struggle -- Black abstractions. 4 Cross-border dialogues : Revolutionary art: between exaltation and despair -- Public arts on both sides of the border -- Muralism, teaching, and learning. 5 Labor, anxiety, and a new social order : Anxiety -- Lynchings -- Clouds of war -- Eye witness -- Labor and exile -- Exile and migration. 6 The liberated line: toward abstracted form : Alternative histories -- Abstracted nature -- Surrealism into abstraction -- Site-specific abstraction. 7 The cube, sphere, and cone; constructed abstractions in the Americas : American responses to geometric form, c.1910-1920 -- Joaquin Torres-Garci´a, the Torres-Garci´a workshop, and arithmetical proportion -- Geometric Manhattan -- Río de la Plata: beyond Torres - experimentation in the 1940s -- Brazil builds -- Havana - Paris - New York - Montreal. 8 Modern visionaries and the intuitive imagination : Trans-American surrealism -- The 1940s and 50s in Latin America: surrealist affinities -- From Mexico to Manhattan and beyond -- Dance, visual art, and visionary modernity -- Popular arts, the intuitive eye, and modernity. Epilogue: Into the future : Pop art and revolution -- Art for all -- Environments and total participation -- Art and terror. Endnotes -- Further reading -- Index -- Picture credits. |
| 954 ## - |
|---|
| -- |
HISTORIA DEL ARTE |
| 961 ## - |
|---|
| -- |
|
| -- |
|
| -- |
SIGLO XX |
| 962 ## - |
|---|
| -- |
1910 |
| 963 ## - |
|---|
| -- |
1960 |
| 964 ## - |
|---|
| -- |
180503 |
| 965 ## - |
|---|
| -- |
rca |
