000			01941nam a22005777a 4500
001			007095
008			160926s1992||||xxua|||| |||| 00| 0 eng d
020			_a0262022885
245			_aThe contest of meaning: _b Critical histories of photography
100	1		_aBolton, Richard, ed. _916430
260			_aMassachusetts: _bMassachusetts Institute of Technology, _c1992
300			_a407 p. _bil.
650			_aFotografia artistica
650			_aCritica
650			_aHistoria de la fotografia _910865
650		0	_aFotografía _97744
500		0	_aWhat are the social consequences of aesthetic practice? -- How does photography construct sexual difference? -- How is photography used to promote class and national interests? -- What are the politics of photographic truth?
942	0	0	_cLIBRO
901			_a770.9 _b770.9 _cB72
902			_aM
903			_am
904			_aC
905			_aFundación Getty
906			_a050331
907			_a007987
913			_aBolton, Richard _fed.
915			_aThe contest of meaning: Critical histories of photography
917			_a407 p.
928			_aMassachusetts Institute of Technology
929			_aMassachusetts
930			_aUS
932			_ail.
933			_a1992
934			_a19920000
936			_a0-262-02288-5
947			_aEN
948			_aWhat are the social consequences of aesthetic practice? -- How does photography construct sexual difference? -- How is photography used to promote class and national interests? -- What are the politics of photographic truth?
949			_aCrimp, Douglas
949			_aPhillips, Christopher
949			_aBuchloh, Benjamin
949			_aSolomon-Godeau, Abigail
954			_aFOTOGRAFIA
961			_a _a _aSiglo XX
964			_a060310
965			_ajvc
966			_a20060310
999			_c10816 _d10816