000			01868nam a22005417a 4500
001			007378
008			160926s1997||||xxua|||| |||| 00| 0 eng d
020			_a0500550298
245			_aExperience or interpretation : _b the dilemma of museums of modern art
100	1		_aSerota, Nicholas _916732
260			_aNew York: _bThames and Hudson, _c1997
300			_a63 p _bil.
650			_aCONSERVACION _97751
650			_aGESTION DE MUSEOS _914230
650			_aTECNICAS DE EXHIBICION _916733
650			_aARTE Y MUSEOS _913291
650			_aMUSEOS _97717
500		0	_aNicholas Serota examines the relationship between the artist, the public and the curator. He takes us into the artist's studio, itself a paradigm of display, and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations
942	0	0	_cLIBRO
901			_a069.53 _b069.53 _cS42
902			_aM
903			_aM
904			_aC
905			_aFundación Getty
906			_a050422
907			_a008026
913			_aSerota, Nicholas
915			_aExperience or interpretation : the dilemma of museums of modern art
917			_a63 p
928			_aThames and Hudson
929			_aNew York
930			_aUS
932			_ail.
933			_a1997
934			_a19970000
936			_a0500550298
947			_aEN
948			_aNicholas Serota examines the relationship between the artist, the public and the curator. He takes us into the artist's studio, itself a paradigm of display, and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations
954			_aMUSEOS
964			_a070215
965			_ajvc
966			_a070215
999			_c11099 _d11099