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| 008 | 160926s2000||||xxua|||| |||| 00| 0 eng d | ||
| 020 | _a0801438012 | ||
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_aThe practice of persuasion: _b paradox and power in art history |
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| 100 | 1 |
_aMoxey, Keith _917771 |
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_aIthaca: _bCornell University Press, _c2000 |
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| 300 |
_a146 p. _bil. |
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| 650 |
_aHISTORIA DE ARTE _917399 |
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| 650 |
_aHISTORIOGRAFIA _98126 |
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_aCrÃtica de Arte _916285 |
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| 500 | 0 | _aArt history's Hegelian unconscious: Naturalism as nationalism in the study of early netherlandish painting -- History, fiction, memory: riemenschneider and the dangers of persuasion -- Motivating history -- Perspective, Panofsky, and Philosophy of History -- Nostalgia for the Real. the troubled relation of art history to visual studies -- After the death of the "Death of the author" | |
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| 905 | _aFundación Getty | ||
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| 907 | _a008027 | ||
| 913 | _aMoxey, Keith | ||
| 915 | _aThe practice of persuasion: paradox and power in art history | ||
| 917 | _a146 p. | ||
| 928 | _aCornell University Press | ||
| 929 | _aIthaca | ||
| 930 | _aUS | ||
| 932 | _ail. | ||
| 933 | _a2000 | ||
| 934 | _a20000000 | ||
| 936 | _a0801438012 | ||
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| 948 | _aArt history's Hegelian unconscious: Naturalism as nationalism in the study of early netherlandish painting -- History, fiction, memory: riemenschneider and the dangers of persuasion -- Motivating history -- Perspective, Panofsky, and Philosophy of History -- Nostalgia for the Real. the troubled relation of art history to visual studies -- After the death of the "Death of the author" | ||
| 954 | _aCRITICA DE ARTE | ||
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_a _a _aSiglo XX |
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