000			02265nam a22005417a 4500
001			008698
008			160926s1979||||xxka|||| |||| 00| 0 eng d
020			_a0714819514
245			_aExpressionism, from artistic commitment to the beginning of a new era
100	1		_aGerhardus, Maly _918170
700			_aGerhardus, Dietfried _918171
260			_aOxford : _bPhaidon, _c1979
300			_a112 p. _bil. col.
650			_aFAUVISMO _910620
650			_aEXPRESIONISMO ALEMAN _912623
650		0	_aArte moderno _97803
650			_aEXPRESIONISMO _99161
500		0	_aAnti-academic attitudes in Romanticism and Expressionism -- The new role of colour and the Symbolist change of subject -- Internationalism of the arte scene as a condition for the growth of Expressionism -- Centres of expressionist painting: the Brücke and the Blaue Reiter -- What is meant by 'Expressionism'? -- Principles and directions of the new vision -- The expressionist manner of painting -- Attitudes to the pictures of the artistic revolt
942	0	0	_cLIBRO
901			_a709.0404 _b709.0404 _cG37
902			_aM
903			_aM
904			_aD
905			_aSchiaffino, José Antonio
906			_a110510
907			_a010900
913			_aGerhardus, Maly
913			_aGerhardus, Dietfried
915			_aExpressionism, from artistic commitment to the beginning of a new era
917			_a112 p.
928			_aPhaidon
929			_aOxford
930			_aGB
932			_ail. col.
933			_a1979
934			_a19790000
936			_a0714819514
947			_aEN
948			_aAnti-academic attitudes in Romanticism and Expressionism -- The new role of colour and the Symbolist change of subject -- Internationalism of the arte scene as a condition for the growth of Expressionism -- Centres of expressionist painting: the Brücke and the Blaue Reiter -- What is meant by 'Expressionism'? -- Principles and directions of the new vision -- The expressionist manner of painting -- Attitudes to the pictures of the artistic revolt
954			_aEXPRESIONISMO
961			_a _a _aSIGLO XX
964			_a120821
965			_aset
999			_c12419 _d12419