| 000 | 01636nam a22005177a 4500 | ||
|---|---|---|---|
| 001 | 011253 | ||
| 008 | 160926s1989||||xxua|||| |||| 00| 0 eng d | ||
| 020 | _a0292755376 | ||
| 245 | _aBen Shahn. New ideal artist in a cold war climate, 1947-1954 | ||
| 100 | 1 |
_aPohl, Fances K. _921376 |
|
| 260 |
_aAustin: _bUniversity of Texas Press, _c1989 |
||
| 300 |
_a237 p. _bil., col. |
||
| 650 |
_aPINTURA NORTEAMERICANA _911939 |
||
| 650 | 0 |
_aArte de Postguerra _919099 |
|
| 500 | 0 | _aThe battle lines are drawn -- Wallace, Dondero and Roosvelt, N.J. -- Defending Civil liberties at home and the American Image Abroad -- An American in Venice | |
| 942 | 0 | 0 | _cLIBRO |
| 901 |
_a759.7306 _b759.7306 _cS47 |
||
| 902 | _aM | ||
| 903 | _aM | ||
| 904 | _aD | ||
| 905 | _aLegado Alejandro MirĂ³ Quesada Garland | ||
| 906 | _a140701 | ||
| 907 | _a013173 | ||
| 913 | _aPohl, Fances K. | ||
| 915 |
_aBen Shahn _hNew ideal artist in a cold war climate, 1947-1954 |
||
| 917 | _a237 p. | ||
| 928 | _aUniversity of Texas Press | ||
| 929 | _aAustin | ||
| 930 | _aUS | ||
| 932 | _ail., col. | ||
| 933 | _a1989 | ||
| 934 | _a19890000 | ||
| 936 | _a0-292-75537-6 | ||
| 947 | _aEN | ||
| 948 | _aThe battle lines are drawn -- Wallace, Dondero and Roosvelt, N.J. -- Defending Civil liberties at home and the American Image Abroad -- An American in Venice | ||
| 954 | _aARTE DE POSTGUERRA | ||
| 956 |
_aShahn, Ben _e1898-1969 |
||
| 960 |
_a _aESTADOS UNIDOS |
||
| 961 |
_a _a _aSIGLO XX |
||
| 963 | _a1969 | ||
| 964 | _a140811 | ||
| 965 | _apts | ||
| 966 | _agvbh | ||
| 999 |
_c14969 _d14969 |
||