000			05314nam a22005057a 4500
001			014179
008			160926s2018||||pe a|||| |||| 00| 0 spa d
020			_a9781786271556
245			_aMaking the Americas modern: _b hemispheric art, 1910-1960
100	1		_aSullivan, Edward _912400
260			_aLondon: _bLaurence King Publishing, _c2018
300			_a336 p. _bil. col.
650			_aMODERNISMO _99428
650			_aHISTORIA DEL ARTE _97649
500		0	_aPrologue: Fragmentary histories of hemispheric art, 1910-1960 : Exhibiting modern art, 1910-1960 -- Time frames -- Divisions of the story -- End of the story. 1 The expanding mind: symbolist imagery in the Americas : American decadence and redemption, c.1910-1930 -- North American visionaries -- Cannibals in the southern cone: Alejandro Xul Solar and Tarsila do Amaral. 2 A sense of place: landscapes, cityscapes, and Topographies of the self : The year 1916 -- Landscapes of the mind -- Southwest reveries -- Canadian wilderness -- Mexican volcanoes -- Cityscapes -- South of the U.S. border. 3 Visualizing blackness in the Americas : Blackness in the modernist imagination -- Blackness, dance, music, and ritual -- black faces, black bodies -- Labor and struggle -- Black abstractions. 4 Cross-border dialogues : Revolutionary art: between exaltation and despair -- Public arts on both sides of the border -- Muralism, teaching, and learning. 5 Labor, anxiety, and a new social order : Anxiety -- Lynchings -- Clouds of war -- Eye witness -- Labor and exile -- Exile and migration. 6 The liberated line: toward abstracted form : Alternative histories -- Abstracted nature -- Surrealism into abstraction -- Site-specific abstraction. 7 The cube, sphere, and cone; constructed abstractions in the Americas : American responses to geometric form, c.1910-1920 -- Joaquin Torres-Garci´a, the Torres-Garci´a workshop, and arithmetical proportion -- Geometric Manhattan -- Río de la Plata: beyond Torres - experimentation in the 1940s -- Brazil builds -- Havana - Paris - New York - Montreal. 8 Modern visionaries and the intuitive imagination : Trans-American surrealism -- The 1940s and 50s in Latin America: surrealist affinities -- From Mexico to Manhattan and beyond -- Dance, visual art, and visionary modernity -- Popular arts, the intuitive eye, and modernity. Epilogue: Into the future : Pop art and revolution -- Art for all -- Environments and total participation -- Art and terror. Endnotes -- Further reading -- Index -- Picture credits.
942	0	0	_cLIBRO
901			_a709.04 _b709.04 _cS47M
902			_aM
903			_aM
904			_aD
905			_aSullivan, Edward
906			_a180424
907			_a015970
907			_a015971
913			_aSullivan, Edward
915			_aMaking the Americas modern: hemispheric art, 1910-1960
917			_a336 p.
928			_aLaurence King Publishing
929			_aLondon
930			_aUK
932			_ail. col.
933			_a2018
934			_a20180000
936			_a978-1-78627-155-6
947			_aES
948			_aPrologue: Fragmentary histories of hemispheric art, 1910-1960 : Exhibiting modern art, 1910-1960 -- Time frames -- Divisions of the story -- End of the story. 1 The expanding mind: symbolist imagery in the Americas : American decadence and redemption, c.1910-1930 -- North American visionaries -- Cannibals in the southern cone: Alejandro Xul Solar and Tarsila do Amaral. 2 A sense of place: landscapes, cityscapes, and Topographies of the self : The year 1916 -- Landscapes of the mind -- Southwest reveries -- Canadian wilderness -- Mexican volcanoes -- Cityscapes -- South of the U.S. border. 3 Visualizing blackness in the Americas : Blackness in the modernist imagination -- Blackness, dance, music, and ritual -- black faces, black bodies -- Labor and struggle -- Black abstractions. 4 Cross-border dialogues : Revolutionary art: between exaltation and despair -- Public arts on both sides of the border -- Muralism, teaching, and learning. 5 Labor, anxiety, and a new social order : Anxiety -- Lynchings -- Clouds of war -- Eye witness -- Labor and exile -- Exile and migration. 6 The liberated line: toward abstracted form : Alternative histories -- Abstracted nature -- Surrealism into abstraction -- Site-specific abstraction. 7 The cube, sphere, and cone; constructed abstractions in the Americas : American responses to geometric form, c.1910-1920 -- Joaquin Torres-Garci´a, the Torres-Garci´a workshop, and arithmetical proportion -- Geometric Manhattan -- Río de la Plata: beyond Torres - experimentation in the 1940s -- Brazil builds -- Havana - Paris - New York - Montreal. 8 Modern visionaries and the intuitive imagination : Trans-American surrealism -- The 1940s and 50s in Latin America: surrealist affinities -- From Mexico to Manhattan and beyond -- Dance, visual art, and visionary modernity -- Popular arts, the intuitive eye, and modernity. Epilogue: Into the future : Pop art and revolution -- Art for all -- Environments and total participation -- Art and terror. Endnotes -- Further reading -- Index -- Picture credits.
954			_aHISTORIA DEL ARTE
961			_a _a _aSIGLO XX
962			_a1910
963			_a1960
964			_a180503
965			_arca
999			_c17890 _d17890